AUSTRALIAN COMMERCIAL GALLERIES ASSOCIATION
© Bett Gallery Hobart
Tasmania
No image on this site may be reproduced in any way without prior permission from the artist. Please contact Bett Gallery Hobart on +61 3 6231 6511.
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Anne MacDonald Photography |
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Click thumbnails to view exhibitions and availability of stock |
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A group
exhibition hung in the Victorian manner of
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Silk 4 April to 2 May 2006 |
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Cloth |
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Petals |
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Vanitas |
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Annunciation 1994 |
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Anne MacDonald - Curriculum Vitae (April 2006) |
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| Born 1960, Tasmania, Australia | |
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Qualifications |
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| 1981 |
Bachelor of Fine Art, School of Art, University of Tasmania, Hobart |
| 1983 | Master of Fine Art, School of Art, University of Tasmania, Hobart |
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Employment |
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| 1984 | Lecturer, School of Art, University of Tasmania, Hobart |
| 1986 | Assistant Director, Chameleon Contemporary Art Space, Hobart |
| 1988 | Lecturer, School of Art, University of Tasmania, Hobart |
| 1997 | Senior Lecturer, School of Art, University of Tasmania, Hobart |
| 2004 | Head of Photography, School of Art, University of Tasmania, Hobart |
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Awards and Grants |
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| 1985 | Visual Arts/Craft Board of the Australia Council Project Grant |
| 1987 | Arts Tasmania Project Grant |
| 1988 | Visual Arts/Craft Board of the Australia Council Project Grant |
| 1990 | Visual Arts/Craft Board of the Australia Council Paris Residency |
| Arts Tasmania Project Grant | |
| 1992 | Arts Tasmania Project Grant |
| University of Tasmania Departmental Research Grant | |
| 1993 | University of Tasmania Departmental Research Grant |
| 1994 | University of Tasmania Departmental Research Grant |
| 1995 | Australian Research Council Grant |
| 1996 | Visual Arts/Craft Board of the Australia Council Project Grant |
| Trust Bank Invitation Art Award | |
| City of Hobart Art Prize People's Choice Award | |
| 1999 | Visual Arts/Craft Board of the Australia Council Project Grant |
| 2003 | Visual Arts / Craft Board of the Australia Council Barcelona Residency |
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Solo Exhibitions |
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| 1983 |
Towards a Personal Symbol, School of Art Gallery, Hobart |
| 1986 | The Romance, George Paton Gallery, Melbourne |
| The Romance, Chameleon Contemporary Art Space, Hobart | |
| 1987 | The Romance, First Draft Gallery, Sydney |
| The Romance, Roz macAllan Gallery, Brisbane | |
| 1988 | Amour/Mort, Roslyn Oxley9 Gallery, Sydney |
| Amour/Mort, Contemporary Art Centre of South Australia, Adelaide | |
| 1991 | Above and Below the Grave, Roslyn Oxley9 Gallery, Sydney |
| 1992 | Heaven, Roslyn Oxley9 Gallery, Sydney |
| 1993 | Ophelia, Roslyn Oxley9 Gallery, Sydney |
| 1994 | Ophelia, Bett Gallery, Hobart |
| 2000 | Petals, Bett Gallery, Hobart |
| 2006 | Silk, Bett Gallery, Hobart |
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Selected Group Exhibitions |
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| 1985 | Australian Perspecta 1985, Art Gallery of New South Wales, Sydney |
| Three Tasmanian Photographers, Australian Centre for Photography, Sydney and Queen Victoria Museum and Art Gallery, Launceston | |
| 1986 | Recent Australian Photography: from the Kodak Fund, Australian National Gallery, Canberra |
| The Naked Image: The Nude in Recent Australian Photography, Adelaide Festival and Australian Centre for Contemporary Art, Melbourne | |
| 1988 | Australian Photography: the 1980's, Australian National Gallery, Canberra |
| Artisans: Collaborations/Installations, George Paton Gallery, Melbourne | |
| 1989 | Imaging Aids, Australian Centre for Contemporary Art, Melbourne |
| Moral Censorship and the Visual Arts in Australia, Australian Centre for Contemporary Art, Melbourne | |
| 1990 | Fragmentation and Fabrication: Recent Australian Photography, Art Gallery of South Australia, Adelaide |
| 1991 | Photodeath, Australian National Gallery, Canberra |
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42 Degrees South, Sarjeant Gallery, Wanganui, New Zealand, Chameleon Contemporary Art Space, Hobart and national tour |
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| Frames of Reference: Aspects of Feminism and Art, Art Space, Sydney | |
| 1992 | New Art Six: Profiles in Contemporary Australian Art, Museum of Contemporary Art, Brisbane |
| Rediscovery: Australian Artists in Europe 1982 – 1992, Australian Pavilion, Seville Expo, Spain and Australian Embassy, Paris, France | |
| 1993 | Medium Density: Contemporary Australian Drawings and Photographs, Australian National Gallery, Canberra |
| 1994 | Moet and Chandon Touring Exhibition 1994, Art Gallery of Western Australia, Perth, Art Gallery of New South Wales, Sydney, National Gallery of Australia, Canberra, Queensland Art Gallery, Brisbane, National Gallery of Victoria, Melbourne |
| 1995 | Moet and Chandon Touring Exhibition 1995, Art Gallery of New South Wales, Sydney, Queensland Art Gallery, Brisbane, National Gallery of Victoria, Melbourne, Art Gallery of Western Australia, Perth, Tasmanian Museum and Art Gallery, Hobart |
| Colonial Pastime to Contemporary Profession: 150 Years of Australian | |
| Women's Art,Tasmanian Museum and Art Gallery, Hobart | |
| 1996 | Lovers, The Museum of Modern Art at Heide |
| Moet and Chandon Touring Exhibition 1996, National Gallery of Victoria, Melbourne, Queensland Art Gallery, Brisbane, Art Gallery of South Australia, Adelaide, Art Gallery of New South Wales, Sydney | |
| Inheritance, Australian Centre for Photography, Sydney | |
| Death: Insights on Life, Lewers Bequest and Penrith Regional Art Gallery, Ballarat Fine Art Gallery, Queen Victoria Museum and Art Gallery, Launceston, Wollongong City Gallery, University of South Australia Art Museum, Adelaide, Brisbane City Hall Art Gallery, Wagga Wagga City Art Gallery, Campbelltown City Art Gallery | |
| Brushing the Dark: Recent Art and Tasmania, Tasmanian Museum and Art Gallery, Hobart, Perc Tucker Regional Gallery, Townsville, Ivan Dougherty Gallery, Sydney, Adelaide Festival Centre, Lawrence Wilson Gallery, Perth, Brisbane Civic Gallery and Arts Centre, Burnie Regional Gallery, Queen Victoria Museum and Art Gallery, Launceston | |
| Floressence, Ivan Dougherty Gallery, Sydney and national tour | |
| 2001 | Girls on Film: women and photomedia, Art Gallery of Western Australia, Perth |
| 2002 | Memento Flori, Australian Centre for Photography, Sydney |
| 2003 | The dish ran away with the spoon: Exploring still life, Academy of the Arts Gallery, University of Tasmania, Launceston |
| Future Projections, National Museum of Australia, Canberra | |
| Hothouse: the flower in contemporary art, Monash University Museum of Art, Melbourne | |
| 2004 | Atelier: Australian Artists in Paris 1980 – 2000, Plimsoll Gallery, University of Tasmania, Hobart |
| 2005 | Rhapsody 21C: Tasmanian Contemporary Art, Academy Gallery, Academy of the Arts, School of Visual and Performing Arts, University of Tasmania, Launceston |
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Josephine Ulrick & Win Schubert Photography Award, Gold Coast City Gallery, Gold Coast Arts Centre, Surfers Paradise |
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The Hutchins Art Prize, Long Gallery, Hobart |
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City of Perth Art Award, Perth Institute of Contemporary Art, Perth |
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| 2006 |
a rose is a rose is a rose, Latrobe Regional Gallery, Morwell |
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Books and Selected Catalogues |
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Ennis, Helen. Australian Photography: the 1980’s, National Gallery of Australia, Canberra, Australia, 1988, pp. 98. – 99. |
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| McIntyre, Arthur. Contemporary Australian Collage and its Origins, Craftsman House, Australia, 1990, pp. 122 . – 124. | |
| Drury, Neville. New Art Six: Profiles in Contemporary Australian Art, Craftsman House, Australia, 1992, pp. 92. – 95. | |
| Colless, Edward. Rediscovery: Australian Artists in Europe 1982 – 1992, University of Tasmania, Hobart, Australia, 1992 , pp. 26. 40. – 41. & 52 .- 53. | |
| Hammond, Victoria. Anne MacDonald: Ophelia, Bett Gallery, Hobart, Australia, 1994 | |
| Hammond, Victoria. Brushing the Dark: Recent Art and Tasmania, Contemporary Art ServicesTasmania, Hobart, 1996, pp. 17. – 19. & 40. – 41. | |
| Voigt, Anna. New Visions, New Perspectives: Voices of Contemporary Australian Women Artists, Craftsman House, Australia, 1996, pp. 168. – 175. | |
| MacDonald, Anne. & Hammond, Victoria. Petal, Space + Light Editions, Hobart, Australia, 2001 | |
| National Gallery of Australia, Developing the Collection: Acquisitions 1999 – 2001, Canberra, Australia, 2001, p. 18. | |
| Koop, Stuart. Value Added Goods: Essays on Contemporary Photography, Art and Ideas, Chapter by Broadfoot, Keith. & Butler, Rex.“A Fold in Time: Anne MacDonald and the Origin of Photography.” Centre for Contemporary Photography, Melbourne, Australia, 2002, pp. 34. – 36. | |
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Hammond, Victoria. Anne MacDonald: Silk, Bett Gallery and Space + Light Editions, Hobart, Australia, 2006 |
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Articles |
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Colles, Edward. “Anne MacDonald: Tableaux Mourant, Photography and the Seduction of Death.” Eyeline, Number 7, December, 1988, Brisbane, pp. 11. – 15. |
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| Hammond, Victoria. “Exquisite Corpse: Anne MacDonald’s Vanitas” Island, Number 68, Spring, 1996, Hobart, pp. 106. – 114. | |
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Collections |
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| 1984 |
National Gallery of Australia, Canberra |
| 1986 | University of Tasmania, Hobart |
| Museum of Contemporary Art, Brisbane | |
| 1987 | Art Bank, Sydney |
| Art Gallery of South Australia, Adelaide | |
| Griffith University, Brisbane | |
| 1990 | Derwent Collection, Hobart |
| 1991 | Tasmanian Museum and Art Gallery, Hobart |
| National Gallery of Australia, Canberra | |
| 1992 | University of Tasmania, Hobart |
| Art Bank, Sydney | |
| 1993 | Art Gallery of Western Australia, Perth |
| 1994 | Arts Tasmania, Hobart |
| Derwent Collection, Hobart | |
| Art Bank, Sydney | |
| 1996 | Trust Bank Collection, Hobart |
| 2000 | National Gallery of Australia, Canberra |
| Art Bank, Sydney | |
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