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Introducing: Helen Goninon
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DAVID KEELING
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David KeelingCradle, 2023oil on linen, framed49 x 39 cm (frame size)SoldView more details
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David KeelingFollowing the Light (Narawntapu) 1, 2023oil on linen, framed44 x 34 cm (frame size)SoldView more details
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David KeelingFollowing the Light (Narawntapu) 2, 2023oil on linen, framed44 x 34 cm (frame size)SoldView more details
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David KeelingWilderness Track, a thousand shadows deep, 2023oil on linen, framed49 x 39 cm (frame size)SoldView more details
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David KeelingSunset, Richardson's Beach, 2023oil on linen, framed28 x 23 cm (frame size)SoldView more details
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David Keeling's next solo exhibition is: 27 September to 19 October 2024, Bett Gallery.
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A NEW COLLABORATION: YARRENYTY ARLTERE ARTISTS
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Rhonda SharpeBird, 2023recycled bush dyed blanket, wool, cotton & feathers on metal stand37 x 10 x 30 cm (overall size incl. stand)SoldView more details
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Rhonda SharpeTjilkamata, 2023recycled bush dyed blanket, wool, cotton on metal stand20 x 13 x 44 cm (overall size incl. stand)SoldView more details
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Louise RobertsonBeautiful Bird, 2023recycled bush dyed blanket, wool & cotton on metal stand74 x 18 x 44 cm (overall size incl. stand)SoldView more details
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SALLY ANDERSON
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A NEW VISTA: stephanie tabram
Stephanie Tabram
Afternoon in the Anthropocene, River Derwent, New Norfolk, 2024Following on from her sell out 2023 exhibition, this new work by Stephanie Tabram sees a shift of her gaze to the dramatic cliffs of the River Derwent, New Norfolk.
Stephanie Tabram
Afternoon in the Anthropecene, River Derwent, New Norfolk. 2024
acrylic on linen
167 x 152 cm (stretcher size)
AU$ 19,800.00
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JOAN ROSS
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VALERIE SPARKS
Beautifully framed in artglass, this is the last work in the edition of 8 available of this very popular landscape by Valerie Sparks.
"The Tasmanian landscape provides a rich source of imagery from which to create an interpretation of Shakespeare’s Prospero’s Island. Prospero’s Island – South West and Prospero’s Island North East chart the narrative arc of ‘The Tempest’ from vengeance to forgiveness. The wild cliffs of Tasmanian’s south coast are brought together with the sublime stillness of the north and east coasts to explore the theme of displacement, which is central to both The Tempest and the turbulent history of Tasmania.
Propsero’s Island South West and North East were commissioned by the Tasmanian Museum and Art Gallery, for the 2016 exhibition Tempest, which was part of Dark MOFO. The exhibition was curated by Juliana Engberg. In 2014 Julian invited me to create an interpretation of Prospero’s Island. Ove the next 18 months I conducted a series of photo shoots across Tasmania gathering images to incorporate into the work. I also spend time researching and photographing the collections of TMAG, primarily the bird collection." - Valerie Sparks
Prospero's Island South West 2016
pigment print, framed
108 x 170 cm
AU$ 9,900 + $1,400 framing
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ROBERT O'CONNOR
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Informed by a 2022 research residency at the Rosamond McCulloch Studio in Paris, these works are from an upcoming series that references the pictorial devices of French Baroque and Dutch Genre painting, specifically works by Siméon Chardin, Jean-Baptiste Oudry + François Deportes, and Gerard + Gesina ter Borch, and in particular scenes of hunts, still lives, and scenes of people doing we-aren't-exactly-sure-what.
In these artists' works, there is a deliberate choice to be ambiguous. Perhaps [I suspect] in the case of the French Baroque it is for plausible deniability - ambiguity is used to make covert political statements without offending the people who can decapitate you. For the Genre Painters, it may be a game of symbols - that the works are not just décor but objects that require active attention to decipher. In their time, these small paintings were kept in boxes rather than on constant wall display as they are now. The image in the box becomes an object that you need to actively engage with and the ambiguity of the images makes them fun to revisit again and again. It's less like wallpaper and more like a Where's Wally book. This sort of fits with what Ernst Gombrich, two hundred years later, would call 'the beholder's share' [that the viewer completes the work by actively engaging with it]. - Robert O'Connor, 2024 -
AUNTY JEANETTE JAMES
Aunty Jeanette Jameskurina (eaglehawk), 2023wedge-tail eagle claws, echidna quills and echidna claw on kangaroo sinew72cm (overall length)AU$ 15,000.00Finalist in the 2023 Telstra NATSIAA Awards, Palawa artist Jeanette James has created a very limited series of Wedge-Tail Eagle claw necklaces to highlight the plight of endangered birds electrocuted in powerlines. In Tasmania, fewer than 1,000 of the endangered birds are believed to be left in the wild. -
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AUNTY LOLA GREENO
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SECONDARY MARKET: RICHARD WASTELL
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INTRODUCING: PETER COLLINS
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PHILIP WOLFHAGEN
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Philip Wolfhagen's next solo exhibition is at Bett Gallery: 10 May to 1 June 2024.
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HELEN WRIGHT
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Helen Wright's next solo exhibition is at Bett Gallery: 22 November to 14 December 2024.
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NERIDAH STOCKLEY